July 30
This was a LOOOOOOOONG day - remounting Illuminata at the fabulous
El Rey Theater meant an agonizingly long tech run through, and then the
show - and then I was going to pack up my keyboards and dash over to
Bricktops to play with Alice Bag at 11:30 or so.
Illuminata went very much as the last time - eye candy, dancing
burlesque beauties, pasties a-go-go, fezzes, fedoras, and cocktails -
you know the routine.
However, I don’t know if it was due to the lack of sight lines from
where we (the band) were crushed over on one side of the stage, or just
a general boozy vibe, but under the Millionaire’s usual jovial
tutelage, we played the most sloppy set of music cues and
accompaniments in the history of the Velvet Hammer. It was two solid
hours of embarrassed eye-rolling , and our eyes couldn’t roll far
enough heavenward to express the slap dash nature of our usually
Prima-tight playing. This was truly Burlesque at its most convincing -
but where was the hook? We played as if we were trying to beat the
genre into extinction a second time. Very Tom Waits last call at the
terminal lounge.
Of course it didn’t seem to matter - if anything the crowd was more
enthusiastic than usual. Are we so good that even at our worst we
shine? Certainly not! - I think everyone is just looking at the girls -
as well they should be! And maybe if we sounded like we were drunk, it
just added vintage sordid ambience.

L-R: unidentified Chorus Girl, lovely choreographer and
political activist Carol Cetrone, KH, and in back Pleasant Gehman
I had no time to call my career choice into question afterwards
though, because I had to rush rush rush to get my darn keyboard over to
the Parlour club. In fact I was in such a mindless blur of haste that I
rudely pushed by this attractive petite girl who, out of the corner of
my eye, reminded me of the fabulous “Foxes”-era Jodie Foster - one of
my favorites! But that didn’t keep me from elbowing her out of the way
- twice! But the second time I did a classic vaudeville bug-eyed
double take as it hit me - I skidded to a stop, almost losing my grip
on my cheap Champ amp, turned on my heel and - yes, it was Nadine, my
friend from Germany. Ooops!
I hadn’t seen her since the last German tour with Dave Davies - two
years ago? - when she’d braved the containment ropes and saw horses and
come right up to us to say hi. We’ve been pen pals ever since.
She’d come all this way alone to be baptised in the cloudy brackish
waters of L.A. retro culture - brave soul. She maintained a
respectfully discreet silence about the evening’s shortcomings - thank
god! At least it must have seemed “colorful”, I rationalized internally
as I whooshed her, without even really asking her, into my car, and we
made like Mr. Toad to Bricktops.
Culture shock? Here was a girl who’d been all over Germany by
herself, and had now braved the rapid transit system of Los Angeles
alone (She’d actually taken the BUS from Echo Park to the El Rey! What
native has ever done that?).
So I didn’t really even think about it, that is until we got to
Bricktops (thankfully in plenty of time) and went past the imposing
doorman (very cute! but to the out-of-towner, wouldn’t he look exactly
like the Hollywood version of a homie gangbanger?), the bartendress
(hmm - could that Antmusic goth outfit actually be mistaken for
switchblade gang moll attire?), over to Alice, in her floor length
black beaded ensemble ( “I got it at Ross!” she chirped - but still,
when you’re a 5 foot 5 fresh faced kid from abroad, couldn’t this
Latina diva seem - well - intimidatingly urbane?) and then I made the
mistake of introducing Nadine to Vag.
“Oh, you’re from GERRRRRRRRRRRR- MAN - EEEEEEEEEEEE!”came the
piercing falsetto squeal on a cloud of pineapple scented vodka breath.
Vag placed her massive seven foot frame directly in front of and over
the shrinking, cowering Nadine, almost physically trapping her against
the wall, leaned down into Nadine’s face like the caterpillar leaning
down from the mushroom - so invasively close that a slight stubble
could be seen through her pancake, and started gibbering some deafening
pidgin German that was apparently simian in origin through a maniacal
mask-like grin.
It suddenly occured to me that after an evening of witnessing
whomever it is that rides on the L.A. bus at night (the mind boggles
with Cronenberg imagery), and watching some tattooed salacious dames
rotate their naked breasts to the squawking of sleazy Las Vegas Grind
trombones, and now this red-light district assault by a Nubian giant in
the quivering throes of drunkenly explosive verbal abstraction, our
li’l novitiate Nadine might need a little rescuing.
“Don’t you need a cigarette?” I interposed, ushering Nadine to
the patio in the back, where a well timed glower convinced the friendly
guy in the striped gondolier shirt
(cute! and he’d only said, “How are you doing?” But this was a mission
of mercy) to hightail it back into the club.
I got an opportunity to talk Nadine down , and she got an
opportunity to breathe, relax, and tell me a little about her last
couple of weeks. I was unsure if she thought that I only knew people
who wore two inches of make-up, vintage clothes, and were constantly in
a state of sexual provocation, but I guess we could address that later.
Now it was time to play!
Alice had made a big deal out of being nervous, how she had never
done this before without a band to hide behind, how I might have to
resue her if she blanked, you know - that sweet girlie novice thing.
I’ve used that same trick myself.
But from the moment she grabbed the mike and the first words of
“Devil’s Gonna Get You” came out in that wonderfully powerful rock
solid gospel voice of hers, it was obvious that no hand-holding would
be required. Sashaying into the crowd with bugle beads a-swinging, “I’m
tired of buying pork to grease his fat lips! He’ll have to find another
place to park his old hips!” she belted lustily in “Put It Right Here”.
It was bluesy like Bessie Smith, and sometimes even a little croon-y,
but more assertive, more charged. “Taint Nobody’s Business” was
relieved of its sometime suicidal subtext and turned into some sort of
hymn of liberation.
The set was too short, but that meant more time for drinking and
convivialities. Nadine had calmed down a little, and by the time I
dropped her off at her Echo Park hotel I felt like she might forgive
L.A. for coming on a little too strong. Even if the revolving sign
outside her hotel window was of a giant pink cartoon foot on crutches.
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